Here I present you 10 of the best circuit simulation tools available on Mac that allow you to design, analyse and test a circuit virtually on a computer. Since most of the circuit simulators run on Windows, it may be a problem for Mac users. Today this article is a list of circuit simulation softwares for Mac.The upgrade process is painless providing you are running OS 9.x or above. -Ed), to the optional Logic Control mixing surfaces, this upgrade improves upon both big and small aspects of Emagic's Logic line of audio production software. From more attractive buttons, to selectable POWr dithering algorithms (the main competitor to Apogee's UV-22 dithering algorithm-See interview with John LaGrou in this issue.
Logic Software Download At EmagicWhether upgrading a previous copy or installing a fresh copy, you will have to familiarize yourself with Emagic's new authorization scheme. This is probably related to the recent acquisition of Emagic by Apple. Logic 5 has also been released for the Windows operating system, though development on that platform is rumored to be discontinued. Logic 5 has been released for OS X and is available for download at Emagic's website.You must mail your previous authorization dongles and CD's to Emagic to receive your authorization codes, otherwise the software will expire in 120 days and I can't stand the post office and their slow ass employees. My only gripe is with it's implementation. The Xskey seems like a good approach to the necessary evil of software authorization. The XSkey is a USB key that handles authorization for Logic and it's range of related software.![]() ![]() All of the Logic Control surfaces communicate with the software via MIDI and each control surface requires a dedicated MIDI in and and out port. The Logic Control XT is a smaller expansion unit that adds 8 more fader and knob channels per unit, and can be expanded to 64 or more physical channels. Enable, master automation controls, save, undo, cancel, enter, etc. Luckily, Emagic got together with Mackie to remedy this issue, and created a great touchy-feely control surface for Logic. Moving graphical faders with a mouse isn't quite as fun, fast, or conducive to mixing as working with real faders. I love the flexibility and power of Logic, but kinda miss having real knobs and faders when in Logic-land. The vocoder not only works in the classic sense, but you can also use the filters as inserts to process audio tracks, and even use it as a stand alone synth. While including all of the instruments and samplers available previously, they have added the EVOC-20 vocoder, a couple of new synthesizers, and as of late, the EV-B3 organ and the EVD6 Hohner Clav. Quite impressive.This may be a good time to mention the new virtual instruments that ship with Logic 5. I purposely bombarded the thing with outlandish and unrealistic amounts of automation data just for fun, and it never clammed up. At first sight it was a bit intimidating with kind of a space station decor with a lot of moving parts, but after I got a handle on it's basic functionality and started exploring, I started to appreciate it's flexibility as a creative tool. The ES2 is an extremely powerful synthesizer. That is the case with the most notable of these new virtual instruments, the ES2. Some of these are demos that expire and need to be purchased if you want to continue to use them. Sonically, the ES2 seriously narrows the gap between any hardware synths I've heard. There are also a few free synth plug-ins that ship with Logic 5: A mono, poly and ensemble synth each optimized for certain sounds (ie lead, polyphonic, pads) and optimized to use very little CPU power. This is a perfect example of the creative genius and attention to detail that Emagic is known for. Don't forget that I mentioned that every effect parameter was easily automated as well, excluding Enverb due to the advanced nature of its reverb algorithm.At the time of writing this review, Logic 5.3 and 5.4 are available for OS X. Finally, there's the classic Tremolo plug-in. There are two new distortions, Phase Distortion which adds resonance to the distortion and Clip Distortion which can be subtle or aggressive depending on settings. There's also an Exciter, a SubBass, a DeEsser and an Adaptive Limiter which models the analog coloration of older limiters. Some of these will be familiar to users of E-Magic's Waveburner Pro software, like the four band multiband compressor, the Stereo Spread plug, a new limiter, and the Denoiser. ![]() Offering two stable releases for the two latest versions of OS X, Emagic is firmly and successfully embracing what is widely considered to be the most promising platform for digital audio production in existence. I personally am now running Logic 5.3 on OS X 10.1 with great success. To my knowledge, none of the other major audio programs have yet completed the migration to OS X, or at least not to the degree that Logic has. Game over dealing with bullies kidsI think Emagic has provided us with the best example of this to date. As engineers and musicians we demand an environment that lends itself to creativity without sacrificing power and functionality. Maybe they were able to stay in touch with the fact that they are designing software for artists.
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